|JASA Calendar of Lectures and Special Events|
Please print out this schedule of Japanese Art Society events for reference. (Click on Print icon at right and use the print function of your browser.) You may also refer to the Newsletter's listing of JASA events. If you wish to receive reminders by E mail, please contact our Membership Coordinator, Christy Laidlaw. Lectures are open to the public and free of charge. Please note: The New York University Institute of Fine Arts requests that all members who plan to attend its events contact its hotline at (212) 992-5803 or E-mail IFA.Events@nyu.edu. For all regional events, we would appreciate advance notice of attendance. Please contact the Membership Coordinator.
MONDAY, JANUARY 9, 5:30 P.M
GALLERY TOUR Of Simon Starling: At Twilight exhibition
Dr. Michael Chagnon, Curator of Exhibition Interpretation at the Japan Society, will give JASA members a private tour of the exhibition Simon Starling: At Twilight (on view through January 15). This new project by Turner Prize–winner Simon Starling reimagines the 1916 premiere staging of W. B. Yeats' noh-inspired dance play, At the Hawk's Well, revealing how Japan's traditional masked theater form helped shape Western Modernism one hundred years ago.
TUESDAY, JANUARY 10, 6 P.M.
The Marymount School
Swept Away by the Great Wave: A Woman Whose Time Has Come
Katherine Govier will give a talk based on her novel The Printmaker’s Daughter. The legendary printmaker Hokusai is one of Japan’s best-known artists. However, the story of his daughter Oei, considered by many to be the “ghost brush” responsible for many of Hokusai’s brilliant late works, came to light for the first time in The Printmaker’s Daughter. Govier’s novel, published by HarperPerennial in the U.S., combines scholarly detective work and a daring narrative that shines fresh light on women and the art world of 19th-century Edo.
MONDAY, FEBRUARY 6, 6 P.M.
The Marymount School
Flash of Light, Fog of War: Illumination and Innovation in Senso-e
Bradley M. Bailey will discuss senso-e, or “war pictures,” of the Russo- and Sino-Japanese Wars, which represent the twilight of large-scale commercial Japanese printmaking. While based on the centuries-old tradition of ukiyo-e, senso-e also showcase the sweeping changes and modernity of the Meiji era. This presentation, based loosely on the upcoming exhibition at the Ackland Art Museum at the University of North Carolina–Chapel Hill, will examine the modern innovations of Japanese woodblock prints of the period, with special emphasis on technologies of war, such as shipbuilding, printing, and above all, light.
SUNDAY, MARCH 12, 11 A.M
Japan Society Auditorium
ANNUAL JASA MEETING AND Lecture “Amusements in a Samurai Mansion: Male Youths as Actors, Escorts or Outcasts in Early Edo Arts”
The annual meeting of the Japanese Art Society of America will precede this lecture by John T. Carpenter, recently named the Mary Griggs Burke Curator of Japanese Art at the Metropolitan Museum of Art in New York. From 1999 to 2009, Dr. Carpenter taught history of Japanese art at the School of Oriental and African Studies, University of London, and served as Head of the London Office of the Sainsbury Institute for the Study of Japanese Arts and Cultures. He has also taught courses at the University of Heidelber, and, from 2009 to 2011 he was Visiting Professor in the Department of Cultural Resource Studies at the University of Tokyo. He has published widely on Japanese art, especially in the areas of calligraphy, painting and woodblock prints.
Past JASA programs